Burned through most of Jennifer Crusie's works and I want more. Really loved Bet Me, Agnes and the Hitman, Getting Rid of Bradley, and Welcome to Temptation. Liked some of the rest, disliked some, really disliked maybe two? It comes down to really liking her writing style but not always caring for her plots/characters.
Relatedly, have been dipping into mysteries/romantic suspense/romance. Guys, I still really like Charlaine Harris's mysteries, but I'm so angry about how she ended the Stackhouse series that I find it genuinely distracting. Made it through most of the Lily Bard series anyway.
Gave Julie Garwood's Murder List a quick read-through and it was okay. I very much prefer her historicals (The Bride is basically my favorite forever).
That train of thought led to me reading Loretta Chase's Lord of Scoundrels for the fifteenth time and I JUST LOVE IT SO MUCH. Jess and Dain are the fucking best. I have some more of her books on the Kindle, but I was spoiled by reading Scoundrels first and haven't ever gotten into most of her other books.
Re-read Linda Howard's Blair Mallory duo again. Am I the only one who feels like that was some kind of self-insert/Mary Sue thing? Don't get me wrong, I love them, but first-person POV is very weird for her, and Blair's life definitely has the fantasy feel to it.
Want to read Open Season again, but can't find my copy, even though I can very clearly picture seeing it on a shelf, which means it definitely made the move to the apartment. Discovered while searching that I have two copies of both Drop Dead Gorgeous and Shades of Twilight.
Picked up Ice and a couple of others in paperback at the used bookstore. LH is apparently one of those authors that doesn't get shared a lot online? People were offering her more "suspenseful" books like crazy, but not one person had Now You See Her and that is hands-down my favorite of hers. I actually bought that one for Kindle more than a year ago, bought a paperback copy used before that, and before that had it in hardback from a library sale.
Picked up a digital copy of my favorite Jayne Ann Krentz, Trust Me. The computer parts definitely feel a little dated, but I love Stark and Desdemona so much. I will adore forever the scene she makes in the hallway about her first orgasm. And the Wainwrights are great.
Debating whether or not to dive into the Arcane Society novels. They might make a good transition back to sf/f, but there are a fuckton and I feel like I'll get burned out on psychics first.
Relatedly, someone please recommend me some urban fantasy where the fantasy part isn't a fucking secret. I am thinking specifically Kate Daniels-style, where the whole world has adapted to make room for magic. I am over secret societies and lone heroes on hidden quests. Do you guys remember how fucking amazing the first few Anita Blake books were, before the sex magic, when it was just a world where you could major in paranormal science and raise zombies for a job, because people needed wills clarified?
I WANT SOMEONE TO BLOW ME AWAY WITH WORLDBUILDING AGAIN.
Except I am so, so over vampires. And elves, 90% of the time. I want magic and monsters, not immortal angst.
Speaking of magic, Vudu was offering the first episode of The Librarians for free (also the first episodes of Haven, Helix, Bitten, Being Human, Game of Thrones - stuff has come and gone, but it is definitely worth a look). Dean Devlin! Christian Kane! A show that feels very much like Warehouse 13!
I am very much not sold on the Serpent Brotherhood, their apparent Big Bad - I like Du Lac in the broad strokes, but come on, an Arthurian threat and your Head Evil is named DU LAC? Lamia is just a hot mess of a character for me right now. I don't know if it's the acting/accent or the writing but I find most of her stuff unwatchable.
IDK, I like the show so far, will watch more.
I want more Z Nation (haven't seen the finale yet!), but about 1000% less Citizen Z. He works best as a framing device/deus ex machina, please stop giving him plotlines. You can replace all of his stuff with MORE 10K. He is the best and I love him and I want him to run back into sniper girl and for them to murder the shit out of things together.
I think this is a show that fucks up a lot, but also does some really interesting stuff? Like, a bunch of the Murphy stuff is dumb, many of the plots of the week are pretty dumb (radioactive zombies! zombie tornado!), but everything that wasn't Murphy in the shooting contest episode, for example, was amazing - grief, PTSD, disregard for human life/death, awesome teenage snipers competing with each other and having a really understated zing of attraction. I'm actually really impressed that they're willing to drop characters as quickly and unexpectedly as they have, that Cassandra's Secret Shame has actually been an ongoing thing, that they are showing a legitimate range of responses to trauma (flashbacks, drug use, emotional numbing, alienation, formation of intense bonds, exclusive focus on a self-assigned "mission").